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The main thesis of a non-positional understanding of the arts—embodied by the notion of neuroaesthetics—calls for the development of “weak”, non-absolutist languages that reject the post-modern ideal of a unified mind in favor of examining the ephemeral states through which attention operates within a given context.
This idea underlies the artist’s work, most recently expressed through an interest in digital techniques—from AI, and especially so-called “inpainting”, to generative art, to “vibe coding”.
grebenshi is a zurich-based digital media artist whose work centers on themes of perception.
they graduated from the Faculty of Painting at the Brera Academy of Fine Arts in milan.
grebenshyo have received recognition from institutions such as the Swiss Federal Art Collection, which included their painting work as early as 2011; Meta (formerly Facebook), which commissioned a wall-based artwork for its zurich headquarters in 2020; and the renowned Claire Silver AI Art Contest, where they were among the winners of its second edition in 2022, to name just a few.