¡EXTENDED UNTIL 11 JULY!
________________________________
neu /n — grebenshyo’s latest solo exhibition — brings together works where automation collides with human craftsmanship, combining participatory frameworks, generative art, and digital painting. The show invites audiences to discover new possibilities born from tradition meeting experimentation.
Presented by Galerie Sechs and Scene, and supported by objkt.com, the exhibition spotlights grebenshyo’s most recent oeuvre, ranging from earlier 3-D work, through generative AI-based art, to projects engaging with what’s becoming known as “vibe coding”. Merging long-honed 2-D practice and ventures into animation with AI-systems integrating cutting-edge technologies like eye-tracking or computer vision, the pieces on display chart a singular creative journey in a rapidly evolving ecosystem.
We have the pleasure to invite you and your friends to the vernissage on Friday, 13 June at 5:30 PM.
neu /n runs from 14 to 26 June at Galerie Sechs, Birmannsgasse 20, Basel.
Finissage on Thursday, 10 July at 5:30 PM
all the artworks are available through:
objkt
exchangeart
superrare
more infos: https://x.com/grebenshi
in memoriam giona bernardi
Exhibition note
A dozen medium‑sized pigment prints anchor the walls, three displays pulse with live software, and a single looping animation hums on the floor. Together they sketch a studio in motion, where looking, pointing, and wandering feed a continuous image‑making circuit.
On the displays runs GenGaze — a performative, interactive installation based on a (“vibe‑coded”) system converting tracking data — gaze‑path geometry, motion vectors, drifting cursors, and computer‑vision analysis (CV) — into layered generative (or “supergenerative”) imagery. In the window its HandPose mode invites passers‑by to paint with a flick of the wrist; inside, Roam drifts across a canvas, tracing routes a gaze might take; a third display employs a saliency model (MSI) so the program seems to look back at viewers and respond on more than a purely mechanical level.
These live projections share the room with a group of digitally native paintings, including ish and painta—works previously shown at Artverse Gallery for NFT Paris and in Kei Gowda’s Primavera Digitale in Florence respectively earlier this year. In these compositions, generative output merges with custom models trained on the artist’s earlier, explicitly painterly practice. The focus shifts to another layer of the same inquiry: loss, understood as the gradual fading of memory, rendered through a deliberately eroded visual language.
On the floor, Muñañyo (2022) cascades glossy biomorphic forms down a vertical 9:16 screen, restless bursts of colour spinning across a white field. Nearby, Shhh (2015) compacts the same turbulent energy into a dense square tapestry of tangled marks and glitch‑bright fragments. Together, the two older works frame the new prints within an ongoing search surrounding issues of perception and their significance in artistic and cultural practice.
About the Artist
grebenshyo is a Zurich-based digital artist and researcher exploring the boundaries of digital perception, computation, and neuroaesthetics. their practice spans painting, generative systems, and algorithmic environments, occasionally engaging interactive formats and performative frameworks. grebenshyo’s recent work focuses on translating attention and motion into visual form through AI, generative art, and open-source tools — inviting audiences to co-create and reflect on the aesthetics of a data-driven ecosystem.